I found out today that the Wayfinding System for Pedestrian/Cyclists developed in conjunction with Spackman Mossop Michaels is being implemented finally. Well the trial version anyway using spray paint rather than the final thermoplastics. Here are some first images.
It was intended that this system was to look more friendly than the RTA iconography and also quite different from it too, so that it was quite clear that a different set of hierarchies and conditions were in place. Looking at the system in situ success was achieved on both counts.
I first found Blanket magazine I guess about a year ago, not quite sure when but issue 14 was out anyway. I am not even sure how I found out about it, perhaps it was a link or perhaps a I just stumbled across when I was researching the possibility of starting up a magazine myself (still have this project on the books, but that’s another story). Anyway, I have just completed a review of all seventeen issues currently available.
The magazine is essentially a portfolio publication. Each issue has a theme to which contributors can respond. There are interviews with designer/illustrators/photographers accompanied by many examples of work and there a sections show casing general work not related to the theme.
This article was originally written in late 2005 and submitted as a paper as part of my Master of Design studies at UTS. If you use this article please acknowledge your source. Note, what were previously footnotes are embedded in the text surrounded by square brackets.
Recent developments over the last few months (that is, July 2009) will be followed up in a subsequent post.
As humans with a desire to survive there are two options open to us, to change our environment or to adapt our behaviour to suit the environment (Porter 1980). The first option involves technology and by extension technological change. The different societies, or social environments, that exist or have existed have always had some combination of the two options and the Western social environment has adopted the first option strongly over the second.
This article was originally written in late 2003 and submitted as a paper as part of my Master of Design studies at UTS. If you use this article please acknowledge your source. Note, what were previously footnotes are embedded in the text surrounded by square brackets.
The topic for investigation in this report came about through my happening to read two things relatively close together. First, the Australian Special Issue of the English design magazine Eye (issue 46), and, second, the Australian Graphic Design Association’s (AGDA) Awards Biannual for 2002. This was something of a coincidence, my being six months behind in my reading of Eye meant I was reading issue 46 at the time the biannual appeared, also I do not normally pay much attention to the AGDA awards let alone look at the related book. What really got me thinking though were two comments; one by Rick Poynor in Eye who said that Australian Graphic Design did not seem to be informed by a sense of the place, and the other in the AGDA biannual warning readers that the content was a “graphic depiction of Australian design”. Could Australian graphic design be nothing more than graphic design done in Australia, as Poynor seems to suggest?